Historic Textile Conservation: Freezing Preservation Method
Textile conservation involves the care, restoration and preservation of fabric and woven material. A range of factors can cumulatively lead to textile deterioration such as exposure to UV light, heat, humidity, acidic environments and mold, bacteria and insects. Unlike most other fine art objects, textiles are particularly vulnerable to deterioration due to their past functional uses. Conservators have a duty of care to protect and maintain their historic textiles and ensure the items can be used not only for research purposes but also for the public to enjoy learning about the past.
Insects can be a real threat to textiles. Moths and beetles can eat through fabrics and lay their eggs amongst the fibres. The eggs then hatch, and the larvae continue to eat through the fibres as they mature, resulting in holes throughout the fabric which may penetrate through several layers if the textile has been folded.
This article looks at freezing preservation for textile conservation, a common technique for killing insects that have managed to find their way into museum collections.
Why is Freezing Preservation effective?
Using a low temperature freezer is one method that textile conservators can use to get rid of these bugs. Most insects cannot survive below -15°C so the textile must be frozen below this temperature.
Freezing textiles can kill insects at any stage of their life cycle, so conservators can get rid of them all, including eggs, without the need to use chemicals that may cause further damage to the artefacts.
How to carry out textile conservation using freezing preservation method
Most insects cannot survive below -15°C, so the most effective temperature has been found to be between -30°C and -40°C.
Items should be carefully wrapped in acid-free tissue paper, placed in a polyethylene bag and fully sealed with tape. Some air should be removed from the bag, although it is not essential to vacuum seal the bag as this could crush the items and cause further damage. If an item is not able to lay flat in the freezer, it should be interleaved with acid-free tissue paper and carefully, loosely, rolled before being wrapped in the tissue paper and placed in the bag. Care should be taken that heavy items are not placed on top of more delicate artefacts. Shelving or freezer baskets can also be used to optimise space.
The historic textiles should be kept in the freezer for at least two weeks without any disturbances (no opening the door). If an item is rolled or particularly thick, it can be left for longer. When conservators are ready to remove the textiles from the freezer, they should be kept in the packaging for at least 24 hours to acclimatise. This means any condensation will form on the bag rather than the textile as it thaws. Conservators should then carefully inspect the items to remove any insect remnants.
Which historic textiles can be preserved in cold storage?
Textile conservation using cold storage should be suitable for a range of items and artefacts such as clothing, tapestries, flags and carpets to name a few examples. Animal fur preservation can also be carried out using this method if it becomes infested with pests. However very old fragile fabrics, brittle silks and painted textiles should not undergo freezing preservation.
Froilabo Products for Textile Conservation
Froilabo’s Evolution -45°C range is most suitable for historic textile conservation and animal fur preservation. This low temperature freezer is ideal for the freezing preservation of textiles, as it drops to the optimal temperatures for killing insects. The range offers 3 freezer volumes (340 L, 515 L and 690 L) with optional interior equipment such as racks, drawers and baskets so that you can choose the perfect size of freezer and storage solutions depending on the size and shapes of your collection.
If you would like to speak to a member of our sales team to find out more about our temperature control products or discuss your requirements, please contact us and we will be happy to help you.
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